Meanwhile, Latin pop, indie rock, country, and hip-hop kept evolving like crazy and producing exciting new voices, from rising Atlanta titan Da Baby to Aussie truth-sayer Stella Donnelly. These are the tracks that defined It sounds just as good as everyone remembered. This antsy anthem to dwelling in romantic uncertainty sounded for all the world like Nineties indie rock, notwithstanding the fact that it racked up more than 20 million Spotify streams in A ringing double-time pulse arrives out of nowhere, lending the song a delirious edge. At the beginning of , Ozzy Osbourne thought his life was caving in; he tripped and fell and had to cancel a year of gigs while he recuperated. The LP found the garage-pop band expanding their toolkit beyond just guitars and drums, bringing in synths and electronic flourishes courtesy of veteran producer Joe Chiccarelli Elton John. Six years ago, the Jonas Brothers packed it up. They were maturing and moving on from their Disney partnership, with dreams of solo stardom.
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Every summer is only as good as the song that defined it. This year had its work cut out for it. These are the songs—whether we chose them or not—that will be playing in the background of our memories of a specific time and place. As for who reigned supreme?
It was a strange and wonderful year for pop music. The year was, arguably, ruled by a year-old visionary and her older brother, who used unconventional techniques and abrasive, aggressive sounds to create a No. And experimentalists like Dylan Brady and Laura Les — who teamed up to rip a hole through the internet with their gecs album — and Caroline Polachek used pop techniques and sounds to create warped and poignant records. This list tries to make sense of all the chaotic left-turns pop took this year in the form of 25 wildly different but entirely vital tracks. The No. The political charge of her writing is still as acidic as ever, but now her capitalist critiques feel just as likely to be played in malls as they are in underground raves. This year's Soulwax remix of album highlight "Work It" pushes Davidson's aesthetic ascension even further, turning the irony-laced Girlboss anthem into a festival-ready thumper. There's a lush, technicolour feeling to his best beats that can rarely be found elsewhere. Add that penchant for mind-blowing sonics to Pi'erre Bourne's seemingly-boundless ability to create hypnotic and surprising beats, and of course you get a song like "On God.